Subscription pricing
passage 2
P1
The poet Louise Glück has said that she feels comfortable writing within a tradition often characterized as belonging only to male poets. ███
Intro topic ·
Poet Louise Glück and gender dynamics in poetry
Glück's perspective ·
Appreciates work of prominent male poets, takes inclusive view of her place within English poetry
Contrast perspectives ·
Glück and other female poets
Other female poets view poetic tradition defined by male poets as excluding women; Glück disagrees, takes a positive view of poetic tradition
P2
████████ █████████ ██████████ ████ ██████ ████ ████████ ███ ████ ███ ███████████ █████████████ ██ ███ ███████ ███ ████ ██████████ ███ █████ ████ ██ ███ █████ ███ █████ █████ ████ ██ ███ █████ ██████ ███ ████████ ██ ██████ ████ ██████ ████████████ ████ ██ ███ ███ █████ █████ ████████████████ ███ ███████ ██ █████ ████████████ █████████ █████████ ██ ███████ ██ ███ ████ ███████ ██ ██████ ███████████ ██████ █████ ██ ███████████ ███████ █████ ████████ ██ █████████ ██ ██████ ██ ████ █████ ██████ ███████ ████ ████ █████ █████ ██████████ ███
Reason for Glück's perspective ·
Sees poetry as dealing with universal themes that cross gender divides
Illustrate Glück's perspective ·
Example of death: it affects everyone
P3
████ ██ ████████ ███████ █████ ████ ████ ████ ██ ███ █████████ ██ ███████ ███ ████ ███ ████ ████ ██████ ██████ ███ ███████████ ██ ██████████ ███████ ████████ ███ █████████ ██ ██████ ██ █████████ ████ ██ ████ ███ █████ ████ ████████ ████ █ ██████ ████ ███████ ██████ █ ████████████ ██████████████ █████████ ████ ██ ████ █████ ██ ██████ ██ █████ █████████ ███████ ████████████████ ██████ ██ ███ ████████ █████ ███ ██████████ ██ █ █████████████ ███████ ██ ███████████ ███ █████████ ██ ██████ ████████ ███
Critics' perspective ·
Poetry's themes aren't as universal as Glück says
Gender-related biases exist regardless of subject matter; the work female poets is always affected by poetry's male-dominated history
Expand on critics' perspective ·
Female poets should replace traditional, male-developed poetic forms with new female-developed forms
P4
███████ ████████ ████████ ████ ████ █████████ ████ ███ ██████████ ██ ██ ███████████ ██████ ████████████ ██ ██ ████████ ██ ███ ███████ ███████ ███ ████████████ ██████████████ █████████ ██ ███ ███ █████ ████ ██ ███ ██████ ████ █████ ███ ████ ██████ ███████████ ████ ████ ████ ██████ ██ ████████ ████ ████ ██████ ██ ███ █████████ ████ ████ █████ ███ ███ █████ █████ ███ ███████████████ █████ ███████████ ████ ██ ████████ ████ ████ █████████ ██ ███ ███████ ██ █████████ ██████████ ███
Glück's response to critics ·
Female-oriented poetry is counterproductive
It continues to put gender-based limits on poetry; also, gender-related perspectives come through more authentically when gender isn't the focus of the poetry
Expand on Glück's response ·
Literature is always evolving
Implication: using traditional, male-developed poetic forms doesn't mean such poetry will always reflect male biases
Passage Style
Critique or debate
Spotlight
11.
Which one of the following ██████████ █████ ██████ ██ ████ ██ ███ ████████
a
She objects to ███ ███ ██ ███████████ ██████ █████ ██ ████████ ███ ███████ ██ ███ ██████ ██████████
b
She recognizes that ███ ████ ██ ███ █████████ ██ ██████ ██ █████████████
c
She claims to ██████ ████ ████ █████ ██ ███ ████████ ███████
d
She claims to █████ ████ █ ██████████████ ████████████
e
She claims to ████ ██████ ███ █████ ██████ ███ ████████ ██ ██████ █████ ██ ███ ██████