Support Theater managers will not rent a film if they do not believe it will generate enough total revenue—including food-and-beverage concession revenue—to yield a profit. ██████████ █████ ████ █████████ ████ █████ █████ ██ ██ █████ ██ ██████ ██ █████████ ████ ████ ██ ████ █████ ████ ███████ ████████ ████████ ██████████ ██ ███████ ██████████
Theater managers only choose to show films that will make them a profit, and film producers want as many theaters as possible to show their films. Therefore, film producers make films that theater managers think young audiences will like.
There is a gap in the argument between the premises, which focus on general claims about what films will be shown in theaters, and the conclusion, which makes a specific statement about films young audiences like. There is therefore a necessary assumption that fills that gap - something that explains why the fact that young audiences like a film would help that film turn a profit and get shown in theaters.
Which one of the following ██ ██ ██████████ ████████ ██ ███ █████████
Adults consume less ██ ███ ████ ██ █████ ███ █████████ ████ ██ █████ ██████████ ██████ ████ ██ ██████ ████████ ██ ████████████
Movies of the █████ ████ ██████ ██ ███████ █████████ ██████ █████ ████ ██████ ██ █████ ██████████
Food-and-beverage concession stands ██ █████ ████████ ███ ███████ ████ ██████████ ████ ███ ██████ ████ ███ ██████
Theater managers generally ███████ ████ █ ████ ████ ██ ██████████ ██ ███████ █████████ ██ ████ ██████ ██ ██ ██████████ ████ █████ ██████
Films that have ██ ██████ ██ █████ █████████ ██████ █████ ████████ █ ██████ ███ ████████ ████ ████ █████