Sahira: To make a living from their art, artists of great potential would have to produce work that would gain widespread popular acclaim, instead of their best work. ββββ ββ βββ βββββββββββ βββ βββββββββ ββ βββββββββββ ββββββββ
βββββββ ββββ ββββββββ βββ βββββββββββ βββ βββββββ ββ ββββββββ ββββ ββ ββββ ββββββββββ βββββββ ββββββββ βββββββ ββββ βββββββ βββββββββ βββββ ββββ βββββ ββββ βββββ βββ ββββ ββββ βββ ββ βββββ
Rahima implicitly concludes that Sahiraβs argument is flawed. She counters Sahiraβs argument by saying that Sahira's conclusionβ that governments should subsidize artistsβ relies on the assumption that artists must produce lesser work to gain popularity. Rahima argues that this assumption isn't necessarily true.
Rahima undermines Sahiraβs argument by calling into question Sahiraβs implicit assumption that an artistβs best work canβt gain widespread popular acclaim.
Analysis by EleanorRoberts
In her argument, Rahima
disputes an implicit ββββββββββ ββ ββββββββ
presents independent support βββ ββββββββ ββββββββ
accepts Sahira's conclusion, βββ βββ βββββββ βββββββββ ββββ βββββ βββββ ββ ββββββ
uses Sahira's premises ββ βββββ β ββββββββββ βββββββββ ββββ ββββ βββββββ ββ ββββββ
argues that a ββββββββ ββββ βββ ββββββ ββββββ ββββ ββ ββββββββββββββββββ