Film preservation requires transferring old movies from their original material—unstable, deteriorating nitrate film—to stable acetate film. ███ ████ ██ █ ███████████████ █████████ ████████ ███ █████ ██ ██ ███ ██ ████████ ███ █████████ █████████████ ███████ █████ ██ ███████ ██████ ████ █████████████ ██ ████ █████ ████ ███ ████████ █████ ██ █████████ ████ ███ ██ ██████████
The author concludes that some early Hollywood films will be lost. She asserts this because films in the old nitrate format must be transferred to the new acetate format, but there is not enough time to transfer all nitrate films before some disintegrate.
The author assumes that just because we can’t save all films, this applies specifically to old Hollywood films. Maybe there are thousands of old movies from small producers that we don’t care about, but we have already preserved all of the important Hollywood movies.
Which one of the following ██ ██ ██████████ ██ █████ ███ ████████ ████████
No new technology ███ ████████████ ███ ██████ ████ ███████ ████ ██ ███████ ████ ████ ████ ██ ██████████
Transferring films from ███████ ██ ███████ ██ ███ ███ █████ █████████ ███ ██ ██████████ █████
Not many films ████ ███ ████████ █████ ██ █████████ ████ ███████ ████ ███████████ ██ ████████
Some films from ███ ████████ █████ ██ █████████ █████████ █████ ██████ ██ █████ ████████ █████████
The least popular █████ ████ ███ ████████ █████ ██ █████████ ███ ███ ████ ████ ██████ ██ ██ █████