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passage 1
P1
In the 1980s there was a proliferation of poetry collections, short stories, and novels published by women of Latin American descent in the United States. ██ ███ ███ ██ ███ ███████ ███████ █████ ██ ████ ██████ ████████ ███ ██████████████ ████ ████ ████ ██████████ ████ ███ ███████████ ██ █████ ███████ ████████████████ ████████████ ██████ ██ ███ ███ ██████ ██ ███ █████ █████ ███ ███ ███████ ██ ████████ ███████ ███████ ████ ██████ ██ ██████ ██████ ███████ ███ ███████ ████████ ███ ██████████████ █████████ ██ ██████ ██████████
Intro topic ·
Three notable autobiographical collections by U.S. Latina authors
Expect the main point to relate to why these three collections are significant
P2
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Significance of collections ·
They cross boundaries between languages, identities, and rhetorical styles
P3
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Significance of first collection ·
Borderlands/La Frontera
Blends personal and cultural history using narrative and poetry
Significance of second collection ·
Loving in the War Years
Blends genres, non-chronological sequence of events
Critic's perspective ·
Non-chronological writing sets women's autobiographies apart from men's
It's unclear if this critic thinks men's autobiographies never use non-chronological writing, but at the very least, it's not the traditional approach
Significance of third collection ·
Getting Home Alive
Combines mother's and daughter's perspectives
Author's perspective ·
These complex narrative styles convey complex identities
P4
Main point ·
These three collections by U.S. Latina authors use innovative methods to express complex, marginalized identities
Passage Style
Single position
Spotlight
2.
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a
the importance of █████████████ ████████ ██ █████ ████████ ████████ █████
b
those authors' stated █████████ ██ ████████ ███████ ████████████ ██████
c
those authors' preference ██ █████ █████ █████████ ██████████
d
the complexities of ████████ █████████ █████ ██ █████ ███████
e
those authors' judgment ████ ██████ ██████ ███ ██ █ █████████ ██████