Art critic: The Woerner Journalism Award for criticism was given to Nan Paulsen for her reviews of automobiles. ████ ██ ██████████████ ███ █████████ █████ ██████ ██ █████ ███ ██████████ █████ █████████ ███████ ███████ ████ ████ █████ ████ ████ ███ ███████████ ███████ ███ █████ ██ ████ ███ ███████ ████ ███ ███ █████ ██ ███ ██ ███ ██████ █████████ ██████ █████ ███ ███████ ████ ████████ █████
The author concludes that Nan Paulsen’s reviews were not criticism, and she therefore should not have won the criticism award. She offers three main premises as support.
(1) In order to receive the award, a work should be a criticism.
(2) If one does not write about art, then they don’t reveal important cultural truths.
(3) Paulsen did not write about art.
This argument features a classic linking assumption between 2 premises. The author is attempting to take the contrapositive of premise one by asserting that Paulsen’s work did not reveal important cultural truths, but this leaves a gap between revealing cultural truths and whether a work is a criticism. This gives us a strong prediction:
If a work does not reveal important cultural truths, then it is not a criticism.
Which one of the following ███████████ ██ ██████ ████ █████ ██ ███████ ███ █████████ ██ ███ ███ ████████ █████████
The Woerner Journalism █████ ███ █████████ ██████ ███ ██ █████ ██ █ ██████ ███ ████████ ███████████ ███████ ██ █████ ██ ████
Reviews of objects ██████ █████████████ ██ ██████████ ██ ██ █████████ ██████ ███ ███████ ██████ █████████ ██████ █████ ███ ███████ ████ ████████ █████
Unless a review ██ ███████ ███ ███ ███████ ██ █████████ █████████ ██████ █████ ███ ████████ ████████ ████ ██████ ██████ ███ ██ ██████████ ██ ██ ██████████
The Woerner Journalism █████ ███ █████████ ██████ ███ ██ █████ ██ ███████ ███ ██ ███ ████████ ██████████ ██ ██ ████████
All writing that ███████ █████████ ██████ █████ █ ███████ ██████ ██ ██████████ ██ ██ ██████████