Poetry journal patron: Everybody who publishes in . ███ █████ ████ ██████ ███ ██ █████ ██ ███████ ████ ██ █ ████ ██ ███████ ██ ███ ██ ███ ███████ ███████ ███ ████████ ████ ███ ███ █████ ██ ███████ ███ ███████ ████████ █████████████ ██ ███ ██████ ██████████ ███ █████ ████ ██████ █████ ██████ █████ ████ █████ ██ ███ ███████████ ██ █████ ████ █████████ █████████ ███ ██ ████ ████████ ████ █████████ ██ █████████ ██ █████ █████ ███████ ██ ████ █████████ ███ █████ ██████ ████ ██ ██████████ █████ ████ ████ █████ █████████ ██ ████ ████████ ███ ████ ███████ ██ █████ █████████ ██ ███ █████ ████ ███████
The author concludes that if the patron’s magazine published an anthology of poems that were previously printed in regular issues of the magazine, it could depend less on donations. This is because most of the poems published in the magazine are similar to those published in a different magazine, the Brick Wall Review, and that magazine makes a lot of money from publishing an anthology.
The argument assumes that what the Brick Wall Review experiences concerning its anthology issue is similar to what the patron’s magazine would experience by publishing an anthology issue.
Which one of the following, ██ █████ ████ ███████ ███ ████████ █████████
Neither The Brick ████ ██████ ███ ███ █████ ████████ █████ ██████████ ███████ ██ █████████ ██ █████ ████ █████████ █████████
Many of the █████ █████ ████ ███████ ██ ███ █████ ████ ██████ ████ ███ ███████ █████ ████████ ███ ███████████ ██ ███ █████ ████████ █████ ███████████
The only compensation █████ ███████ ███ ██████████ ██ ███ ███████ ██████ ██ ███ █████████ █████ ██████████ ███ ████ ██████ ██ ███ ██████ ██ █████ █████ █████ ███████
The Brick Wall ██████ ███████ ██ █████████ ██ █████ ████ █████████ ████████ ███ ███████ ██ ██████ ████ █████████ ██████
The Brick Wall ████████ ██████ ██████ █████████ ██████ ████████ █ ██████ ██ █████ ██ ██████ █████ ███ █████████ ██ ███ ███████ ██████ ██ ███ █████████