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During my BR, I changed answer choice from C to A. If we read the C carefully, "the one should believe it" phrase does not necessarily indicate the tradition.
I liked how he compared the answer choice D with RRE question type vs. principle question type.
@floresbrenda26494 I got it right as well but re-reading the stimulus after your comment it makes much sense why B is an answer
main conclusion trap.. Signal: "as we have agreed," "it is well known," "everyone accepts" = premise (NOT conclusion). Conclusion = the new claim argued from it.
the conclusion in the stimulus: UFS -> up in sales
answer choice a: contrapositive of the conclusion reaffirming The author's argument
can't believe I got this one right! going over each answer choices and writing down my reasons were very helpful
got the answer correct but took a long time to somehow translate the stimulus in to logic somehow..
Cannot A without B = A -> B
Cannot A from bad B =A -> good B
b was a trap. Problem 1) doesn't touch property rights. the core of the paradox is protecting property rights <-> restricting property rights. but b swaps property rights out for taxes. Problem 2) b drifts to a different topic (taxes). Whether the owners want the laws for tax reasons or not, the council's contradiction still stands..
this one was definitely tricky.. obviously did not think that B could be an answer at all
at first I picked B because of the phrase in the years before the factory closed. I assumed the mismatch of time frame. But during BR, I realized its C as then it strengthens the author's claim.
so foolish of me. Draw all the conditional and did not think of connecting it.. sigh..
@lillbarboo this is how I solved it too. Embedded condition is somewhat unnecessarily complicated
The logic: premise 1 her novels condense crises → premise 2 crises raise moral questions → so it's unfair to say she's indifferent to moral questions.
The premises establish that her novels raise / involve moral questions (because the crises do). But the conclusion is that it's unfair to call her novels indifferent to moral questions.
A hidden leap: just because a novel condenses a crisis, does that mean the novel isn't indifferent to the moral questions the crisis raises? A novel could poetically condense a crisis and still be indifferent to the moral side of it — focusing only on, say, the emotional or aesthetic aspect. The argument needs to rule that out.
B: "A novel that poetically condenses a major emotional crisis does not have to be indifferent to the important moral questions raised by that crisis."
This fills exactly that gap. It says: condensing a crisis is compatible with not being indifferent to its moral questions. Without B, the argument breaks — maybe her poetic condensation is indifferent to the moral dimension, and the premises wouldn't defend her.
(I got some help from Claude for a better understanding. Yes!)